Ibn Warraq's a curious man. The main thrust of his book is that Freedom's Land is better than Absurdistan because the West has a tradition of self-criticism which the towelheads don't. No question. But why does he proceed to berate the likes of Edward Said in his work for doing precisely that, namely training his searchlight on the follies of colonialism and militarism?
Another person may contend that he suffers from a bad case of cognitive dissonance, but since I don't know what that means I will refrain. Go, Warraq, go!
Because he believes Said's work is dishonest.
Warraq is one of several people who criticize Said's book:
Orientalism and other works by Said sparked a wide variety of controversy and criticism.[51] Ernest Gellner argued that Said's contention that the West had dominated the East for more than 2,000 years was unsupportable, noting that until the late 17th century the Ottoman Empire had posed a serious threat to Europe.[52] Mark Proudman notes that Said had claimed that the British Empire extended from Egypt to India in the 1880s, when in fact the Ottoman and Persian Empires intervened.[53] Others argued out that even at the height of the imperial era, European power in the East was never absolute, and remained heavily dependent on local collaborators, who were frequently subversive of imperial aims.[54] Another criticism is that the areas of the Middle East on which Said had concentrated, including Palestine and Egypt, were poor examples for his theory, as they came under direct European control only for a relatively short period in the late 19th and early 20th centuries. These critics suggested that Said devoted much less attention to more apt examples, including the British Raj in India, and Russia’s dominions in Asia, because Said was more interested in making political points about the Middle East.[55]
Strong criticism of Said's critique of Orientalism came from academic Orientalists, including some of Eastern backgrounds. Albert Hourani, Robert Graham Irwin, Nikki Keddie, Bernard Lewis,[56][57] and Kanan Makiya addressed what Keddie retrospectively calls "some unfortunate consequences" of Said's Orientalism on the perception and status of their scholarship.[nb 2] Bernard Lewis in particular was often at odds with Said following the publication of Orientalism, in which Said singled out Lewis as a "perfect exemplification" of an "Establishment Orientalist" whose work "purports to be objective liberal scholarship but is in reality very close to being propaganda against his subject material".[60] Lewis answered with several essays in response, and was joined by other scholars, such as Maxime Rodinson, Jacques Berque, Malcolm Kerr, Aijaz Ahmad, and William Montgomery Watt, who also regarded Orientalism as a deeply flawed account of Western scholarship.[61]
Some of Said's academic critics argue that Said made no attempt to distinguish between writers of very different types: such as on the one hand the poet Goethe (who never travelled in the East), the novelist Flaubert (who briefly toured Egypt), Ernest Renan (whose work is widely regarded as tainted by racism), and on the other scholars such as Edward William Lane who was fluent in Arabic.[62] According to these critics, their common European origins and attitudes overrode such considerations in Said's mind; Said constructed a stereotype of Europeans.[63] The critic Robert Irwin writes that Said ignored the domination of 19th century Oriental studies by Germans and Hungarians, from countries that did not possess an Eastern empire.[64]
Such critics accuse Said of creating a monolithic "Occidentalism" to oppose to the "Orientalism" of Western discourse, arguing that he failed to distinguish between the paradigms of Romanticism and the Enlightenment; that he ignored the widespread and fundamental differences of opinion among western scholars of the Orient; that he failed to acknowledge that many Orientalists (such as William Jones) were more concerned with establishing kinship between East and West than with creating "difference", and who had often made discoveries that would provide the foundations for anti-colonial nationalism.[65] More generally, critics argue that Said and his followers fail to distinguish between Orientalism in the media and popular culture (for instance the portrayal of the Orient in such films as Indiana Jones and the Temple of Doom) and academic studies of Oriental languages, literature, history and culture by Western scholars (whom, it is argued, they tar with the same brush).[66][67]
Said's critics argue that by making ethnicity and cultural background the test of authority and objectivity in studying the Orient, Said drew attention to the question of his own identity as a Palestinian and as a "Subaltern".[68] Given Said's largely Anglophone upbringing and education at an elite school in Cairo, the fact that he spent most of his adult life in the United States, and his prominent position in American academia, his own arguments that "any and all representations … are embedded first in the language and then in the culture, institutions and political ambience of the representer … [and are] interwoven with a great many other things besides the 'truth', which is itself a representation" [69] could be said to disenfranchise him from writing about the Orient himself. Hence these critics claim that the excessive relativism of Said and his followers trap them in a "web of solipsism",[70] unable to talk of anything but "representations", and denying the existence of any objective truth
http://en.wikipedia.org/wiki/Edward_Said#Criticism